Composition is one of those aspects of paint learning that will never be complete. You can never sign off and say, “Well, I learned that now on to painting”. Composition possibilities are endless and fascinating. An art friend and I
I recently read someone’s comments concerning Jeff Koon’s enormous hyper-polished steel balloon dog sculptures. It got me wondering how we can or should judge art. I saw Koon’s gallery show in New York a while back with rooms of
Anyone who has studied art in any depth beyond a couple of survey books of great masters knows that there has been tons of crap created in any period.
Shown and sold at the 2005 Contemporary Realism Show, Center for Living Arts, Mobile, Alabama. The use of wax medium (beeswax melted in turpentine) facilitates the more open treatment, allowing a watercolor like fluidity, while retaining the richness of oil.
study on toned paper, conte and pencil
Detail from Kennebec Courthouse Mural, 2015 a Revolutionary period woman and her family, tending the garden and waiting for her husband to return from sea.
Logging was very important on the Kennebec river up until the 1960’s.
No mural of the Kennebec river history could be complete without reference to the trappers who explored the river and hills. I had drawn out the composition and the pose for this main figure in this panel, but I didn’t
just another detail of my Kennebec mural in Augusta, Maine. the mural is 14 x 40 feet, over 500 square feet with over 50 figures, ships, animls, period tools…a lot of life. the brushwork is quick not laboring over each
The granite industry was very important for this region Maine. Stone cut from Hallowell hills was renowned for its clarity, lightness in color and its relative ease of carving. The cut stone was shipped down river by sail or on
Here is a detail from my Kennebec mural. This region was a bustling river highway back in the days fo sail and this panel portrays the crowded piers in the various towns and cities along the shores. One historian wrote
Out on a walk and I just found out that Eastman Johnson lived just over a mile from here on Winthrop Street in Augusta. I love knowing this. He was a fabulous artist and to know he was was at his easel just down the road is wonderful.
a detail from my Kennebec Courthouse mural…a woman waiting to get on the steamboat pier.
This is a closeup of my mural panel of the Popham Colony explorers from 1607. The built the first ship, the Virginia, and also explored up the Kennebec up to at least the site of the current Fort Western, in
ink on Arches watercolor hot pressed paper, 8 x 10 inches There is something about playing with simple lines on white paper.
An oil for an exhibit about human trafficking.
In the ongoing conversation on composition I thought I would dissect this painting, Summer Entourage, a large oil, 52 x 52 inches. Summer Entourage is about many things, family, friends, summer days of Augusta, and also about the passage of time.
The mask maker sits, camouflaged among his wares. It is interesting to note that his own face is hidden, while he shows us many faces in different states of emotion. Is it just a picture of a craftsman and his
I have always been interested how other artist’s have their studios. Are they neat and tidy? Chaotic? Eclectic? So, along this vein, I thought I would start a small series of images, when I trip over them, of other artist’s