Here are some more progress photos of other parts of the mural.
This older gentleman is Judge Richard Rice. In the 1850’s he and some other ingenious folks built the first steam powered car in Maine–built right here in Hallowell. Here I show Judge Rice on his triumphant trip across town on the first car.
Also, an update of one of the seamen in the mural and a mother and daughter tending the fields.
Martha Ballard was a midwife and caregiver for most of the residents of Hallowell in the late 18th and early 19th centuries. She delivered close to 1000 babies, in a region with a population of only several thousand. She was supremely important to the origins of our town.
She kept a diary of her doctoring. She became well known today when her diary was discovered and published.
A study and progress pictures of Martha Ballard in the Hallowell Mural.
poster design for Hallowell’s 2019 Rock on the River Tuesday night concerts.
A poster and t-shirt design for Hallowell’s annual Woodstock music festival.
Spent the day refining some of the figures and roughing in a few more. This is Dr. Benjamin Vaughan, a notable patriot, a well read man with a library only rivaled by that of Harvard of the time. Here he is penning a letter to President Thomas Jefferson, one of the many important people with whom he corresponded for many decades.
Today, Thursday is another open studio afternoon, 2-4 so stop by to see the mural progress.
Hallowell was a major seaport back in the days of sail. Ships and seamen from Hallowell were known in the ports of the world.
The upper left of the mural is devoted to the seamen of the area. Here I am developing a man climbing the ratlines.
a Hallowell Mural pencil study from this morning for the figurehead I will be working on today.
Captain Drew was a well known sea captain from our bend in the river. As with many men from our town Captain Drew sailed to all ports of the world.
As well as a sea town, Hallowell was also a town of letters and learning. Captain Drew was a man of letters himself, penning articles of his many voyages for the newspaper under the moniker, the Kennebecker, from 1876 to 1889.
Captain Drew’s father was a local ship carver and he will be in the mural working on this figurehead.
Work is progressing well on the Hallowell Mural Project. Had several visitors on yesterday’s open mural studio Thursday. Here are some photos of progress. Some initial block-ins of figures. I am working on the top of the mural—adding in some key historical figures. You will see these scenes come into focus over the next days.
Martha Ballard, the midwife, well known for the journal she kept.
Dr. Benjamin Vaughan, here seen writing a letter to Thomas Jefferson with whom he corresponded for many years.
James Mathews, who escaped slavery in South Carolina, made his way north stowed away on a ship from Charleston to Boston and made his way to Hallowell with help along the underground railroad. He had a troubled life but his account of his years as an enslaved person became important in the national Abolitionist movement.
The upper left of the mural represents all the seamen, mostly men, young and old, who went to sea from the home shores of Hallowell.
And the women stayed home to tend the crops, raise the families and build the home communities.
Here are a few details of various parts of the Hallowell Mural. I’ve been working on the upper third of the 28 foot (vertical) mural. The upper left will deal with Hallowell’s maritime history—shipping, ship building.
And on the upper right I’ve been blocking in the 6 foot head of the statue for National Monument for the Forefathers that was carved right here in Hallowell. More info here: (https://en.wikipedia.org/wiki/National_Monument_to_the_Forefathers)
This is a color study of one of the figures who might go in the mural, but more importantly, he is my paint and canvas test to see how the materials will hold up on the wall.
The method I am using for this mural was developed by the Philadelphia Mural Arts program, for their, literally, thousands of exterior murals.
It is called the Polytap Method, or sometimes the parachute cloth method,. It uses a super tough non-woven fabric called Polytab. And when you paint on it with exterior rated acrylic paints is creates an indestructible surface.
I painted this sample to test it anyway, because it is always good to run your own tests of materials you use.
This sample has been out in sun, rain and subjected to freezing temps. And I have been abusing the canvas too–wrenching it around to make sure the paint holds up.
Looks just wonderful. This mural will be up for decades without even a blemish.
Yesterday, Jen, ever faithful and super talented mural assistant, started priming my mural canvas at the Firehouse studio.
This is not canvas in the normal ‘artist’ canvas sense. This material is super tough, Polytab, which is a non-woven synthetic fabric—tough as nails—or rather, tough as a wall.
For primer we are using top of the line, super grip primer—recommended by the Philadelphia Mural Arts Program for just this kind of project.
These two sections are essentially one third of the canvas for the entire mural, which is 23 x 28 feet.
I put together this little video time-lapse of our mural efforts yesterday—Jen and I built the temporary wall/easel in the old Hallowell Firehouse–this is the wall that will hold the mural canvas while I work this summer on the Hallowell Mural Project.
Well, actually this wall only holds about one third of the entire mural–but it is plenty of canvas to work on at one time. We will hang 10 x 23 feet of canvas at a time.
Some parts of the mural will have to be drawn out with all the canvas together so we might lay it out temporarily on a huge floor and mark in key areas that span the full size of the mural. If we do, I’ll takes some pics to show you what I mean.
Summer Comes Slow This Year
For Bev Bevilacqua
Thick coastal grove of pine,
limbs twisted, entwined.
close kin branches, needles warp and weft,
failing, sieve like, send their resin scent.
Endless sea breath,
holds their perfume tells,
rent from futile needled clutches,
salt and bay and juniper, as well.
Yes, I see them cling there
their roots up on that edge
edge of grove
or edge of sea
Ledges peeled to granite bone,
My path today, not quite,
not quite land and not quite sea
with forest fringe and seaweed cloak
Summer comes slow this year,
the season when heaven
just touches, just brushes by the earth.
Dahlias and apple trees
Salt, sand and sea breeze,
I’d have wished he could
have just one more, just one.
Strange, near a century of summers
a century, he’s been walking here
enjoying, seeing, hearing here
scenting saltpinebay and juniper
Smells of land near sea
Today, a deep sea whiff is snagged
belched by waves, rolling big,
Summer comes slow this year,
seems reluctant this year,
walking slower than years passed.
Or maybe, she came early,
for just a day,
touched down lightly
and took my friend away.
I lost my friend this week.
My friend, my friend
a friend of many days
I could wish he had just one,
just one more
just one more summer here, with us
But maybe, yes, perhaps,
I’ll think she came and took him,
he’s with her
one long summer by the sea.
He seemed happy, when he went.
Exciting day, we started building the mural studio.
Yesterday, finally, Jen and I moved all the fascinating stuff in my new, temporary, Firehouse Mural Studio. The City of Hallowell has allowed me to work in the large second floor room in the old Firehouse. This gives me an 11 x 30+ foot wall to work on large sections of the mural at once. This is going to be wonderful—much bigger than the 10 x 10 foot largest space in my regular studio.
That wall on the second floor was lined with many glass display cases of fascinating old firehouse paraphernalia—and a lot of it heavy. In days of old they built things well. So, with permission from local historians and City powers that be, Jen and I carefully moved everything well away from the “mural” wall. It was a bit of work. But now everything is tucked safely away—ensuring that no Firehouses shall be harmed in the production of this mural.
Last night we took a trip to the lumber yard and bought all the supplies for the temporary “mural easel”. Basically, plywood, 12 foot 2 x 4’s, screws and lots of plastic and canvas drop cloths. Today Jen and I will be over at the Firehouse building an 11 x 24 foot temporary plywood wall/easel. This will be free standing—with padded feet to protect the nice floor—and go against the large wall space we cleared yesterday.
Then I will be able to mount my mural canvas on this temporary plywood wall/easel and begin the next months of work on large areas of the Hallowell Mural.
It is an exciting day seeing the Hallowell Mural Project get to this phase—huge new mural easels are very enticing things.
This mural will have over 70 figures, some contemporary, some historical. I have been nailing down poses, stances, finding nuance in the gestures I want. This starts with sketches and scribbles in the drawings pad and moves on to more finished drawings.
I am arranging with models to pose for some people, as stand ins for historic figures. Some people are, of course, around now so I am just drawing them as they are.
For some of the historical figures I have been finding old paintings or vintage photographs to use as reference. And some of the people who will be in the mural have decedents still living here. Where possible I am having these relations pose for their distant relatives.
This year and a half since I started working on the big Hallowell Mural Project, I have learned much about our town on the river, many fascinating bits and pieces of our history, parts of the various stories that have made our community. I have drawn dozens upon dozens of scenes and people, ships, granite carvers, mill workers, and still drawing. Bigs scenes and little.
I’ve been off the public mural radar for several weeks. Had to finish a few jobs—to keep the bills paid—and a couple of personal things knocked me back bit.
And in the meantime, on my sketch pad I have been weaving all the disparate bits of Hallowell together. We didn’t just show up here in this 21st century on the river. Our town is the result of these centuries of journey, step by step by step to get us here as a kind, talented and welcoming community.
This is the story I am building into the mural—what got us here. I am a bit behind where I had hoped but it is only in the interest of having this be the best possible mural I can create.
I am starting this mural daily blog on my website to keep you all apprised of progress. The next 2 months will be the fascinating time as the 800 square feet of wall come together. Cheers.
Jack and I finished the Carnival Mural, 14 x 28 ft. Here is the final full mural and some details. Enjoy.
Yesterday, we scarfed on a second piece of canvas to lay in the top 4 feet of the sky…a 14 x 28 foot arched mural. And I scrubbed in the first of the hot air balloon stuff going partly on the lower canvas part above. Painted basket on lower canvas, charcoal scribble on the bottom edge of the upper canvas….figures just scribbled in so far.
Jack and I have been on a serious push the last couple of weeks to get the Carnival Mural for Washington D.C. finished–due to hang on March 2. Here are some updates of progress.